The Butterfactory Theatre, Wodonga
Fri, Sat October 13, 14 2017
Chicago, Christmas Eve 1928. Elliot ‘Lio’ Byrne is drowning his sorrows at the Butterfly Lounge, an illegal speakeasy in the most dangerous neighbourhood in town. The staff know him well: there’s Nancy the waitress, Ernie the bartender, Ralph the pianist and Leroy the doorman. Unfortunately, someone else in Chicago knows Lio’s in town, a mysterious and powerful gangster by the name of Charlie Drinkwater, and rumour has it Drinkwater wants a word with him. As if that’s not bad enough, his wife Maggie, teenage daughter Amy and best friend Cal wouldn’t mind a word with him too: they’d like him to come home to New York. In 2017.
Award-winning local community theatre group, The Other Theatre Company, is pleased to present Butterfly Lounge – An original play written by local playwright Alexander Gibbs, complimented by an original score and lyrics composed by a talented young composer Katja Jorgensen in partnership with Tony Smith. Katja and Tony are both incredibly talented local musicians who amongst playing in various local bands, orchestras and musical theatre also teach at the Murray Conservatorium in Albury.
Butterfly Lounge is a play that will move and reward the audience with several musical numbers that can only be described as ‘the cat’s meow’. It was first performed on the NSW Central Coast in 2008. The production won the Adjudicator’s Award for Most Promising New Playwright at the Central Coast Theatre Festival in Wyong.
We’ve put together an incredibly talented cast, band and crew for the very limited season of 2 performances at The Butter Factory Theatre on Gateway Island at 7.30pm on 13 and 14 October 2017.
This production is being judged for the Georgy Awards to be presented at the Eastbank Centre, Shepparton in November 2018.
Lio COLM COX
Nancy CASSIE PRYOR
Charlie EMMA MANCER
Maggie PIETA SWANN
Callie KATHRYN LEWIS
Amy STELLA KLIRONOMAKIS
Ralph CLEVELAND SHAW
Ernie SCOTT BISHOP
Leroy DUNCAN BROWN
Danny SOLI TANUVASA
Herb NICK POPOVICH
Band KATJA JORGENSEN, TONY SMITH, RHYS MCKEE, RUSSELL WEISS, ALLISON DAVEY
In case you’re the studious type – care about precises chronology and junk like that – it was 2003. I was barely twenty and I had an image in my head that I couldn’t shake: a man sitting in a bar, in the past, who didn’t belong there. Over the years that image morphed from a few pages on incoherent rambling, with the words Butterfly Lounge written at the top, to a one-act embryo without songs and missing a main character that somehow won an award despite its considerable shortcomings. Soon afterwards a lawyer and a Czech walked into the bar (no seriously, they actually did), and roused the play back to life with a full-length musical extravaganza that took the world by storm. Well, it had a piano and some people in Gosford said they enjoyed it. Small victories.
But as the saying goes, that was then and this is now. (There’s another saying the goes ‘Never start a sentence with the word but’, but that’s neither here nor there.) Suddenly I live on the Border, and The Other Theatre Company has taken me under its wing. I had a wonderful time last year directing the perennial classics Cosi and Fawlty Towers, and as a reward they’ve allowed me to direct something I wrote myself. The Gullible Fools.
In this mercenary theatre landscape of beloved musicals and, er, other beloved musicals, an original work cant thrive without a champion, and I’ve been lucky enough to have two: my brilliant producer (and costumier) Ro McGillivray, who has believed in this project since the first time I talked her ear off about it, and the incomparable Katja Jorgensen, a musical prodigy and enthusiastic collaborator who will be captivating you all this evening with her 100% original music score. Then there’s her partner in crime Tony Smith, and evil genius (sorry, Stage Manager) Sabine Jorgensen, and the band, and the techs, and, and …
Ah, my cast. I’ve had the pleasure of working with some of them before, but we TOTC folk love new blood, and this cast is split right down the middle between old and new. They’re a truly magnificent group of performers, and they’ve brought these characters to life in a way a writer can never truly manage without such a bevy of acting talent. I can’t wait to work with them again – which might happen quite soon…
I’d like to dedicate this production, first and foremost, to my always supportive wife Lucy. Acknowledgment, however, must also go to the original architects of the Butterfly: to the lawyer and the Czech, Pauline Wright and Jiri Kripac; to Sierra Phillips, Rose Cooper and Andrew Thomson, my original cast; to Clio and Chrissie, the inspirations for Cal; and to Steve Hopely, who was there on that day on ’03 when I foolishly said I wanted to write a musical.
‘Musicals,’ he replied sagely, ‘are so last century. Write a play with music instead. And make it jazz.’
Musical Directors Notes:
Well where do I begin? What a phenomenal 6 months it has been! From the very beginning, to auditions, reversal after rehearsal and finally to the production you will see tonight. It has been an absolute blast and I could not have asked for a better cast, crew and band to have spent these last few months with. Not only has this been an absolutely incredible opportunity, it has been a challenge and a half with a rediculas amount of hard work. This whole thing would not have been possible without the expertise, support and hard work of my evil sidekick Tony Smith. Tony came on Board early in the picture and would step in when it all became too much.
Do understand the music and lyrics you are going to hear tonight are 100% original and the combined effort of Tony and I. One of the greatest things about this that I have been able to write and edit these pieces for the vocalist you will hear tonight.
To quote one of fabulous cast she says “it’s a unique and exciting experience having a song tailor made just for me.” And I couldn’t agree more.
It is always a huge thrill and nervous experience presenting your work to the artists but these legends gave me such amazing feedback and great encouragement and I can’t thank them enough for all the hard work and many hours of rehearsal you have put into these masterpieces.
I would like to give a huge thanks to the amazing cast and crew in particular Stage Manager Bean. Producer Ro and my incredible band; Rusty, Alison, Rhys and Tony without you guys this show would not be possible. But most of all I would like to give a a huge thanks to Mr Gibbs for giving me the opportunity of a lifetime to bring something magical to this play.
Director ALEX GIBBS
Producer RO MCGILLIVRAY
Stage Manager SABINE JORGENSEN
Backstage LISA WELDON, NATASHA IRWIN, MIGUEL DE OLIVEIRA, RO MCGILLIVRAY
Artistic Director RO MCGILLIVRAY
Costume Designer RO MCGILLIVRAY
Musical Director KATJA JORGENSEN
Composition & Lyrics KATJA JORGENSEN, TONY SMITH
Lighting Design PIETA SWANN
Set Construction PETER UNIACKE, MIGUEL DE OLIVEIRA, GEORGE PENDER
Graphic Designer LAURA UNIACKE of RUBY JAY DESIGN
Props RO MCGILLIVRAY, PIETA SWANN
Front of House RO MCGILLIVRAY, ALEX GIBBS, LUCY GIBBS